clay: spoons and scoops

Clay Body: Laguna's Bmix 10 (Smooth)

Glaze: Blue celadon and Artic (gloss white) cone 10 glazes

Method/Firing: Coil built/Cone 10 Reduction

In between class periods at work, I'll pop into the ceramics classroom and grab a hunk of clay and then wedge it and start pinching and pulling. There were two longer handled spoons of which I kind of hated the darker and wholly unpredictable purple rutile glaze, but I do love these celadon and white glazes. The spoons look even more beautiful in sunlight.

These scoops are already in my flour and sugar bins. Of course, I'll be making more but need to burnish surfaces that aren't glazed.

clay: cone 10 urn/vase (coil pot)

Clay Body: Laguna's Bmix 10 (Smooth)

Glaze: Marshamallow or cone 10 matte white glaze

Method/Firing: Coil built/Cone 10 Reduction

Of late, I'm in love with extruded coils and pinch potting to make this pot. I've been mimicking Frances Palmer's forms, and on this vase I used a loop tool to flute the smoothed coils and erected slabs to form the base and rolled balls to adorn the rim. The handles were from the extruded coils. Hubs likes it, he says, though I am putting in a plastic cage or some chicken wire inside to hold stems.

clay: rutile coil pot

Clay Body: Laguna's Bmix 10 (Smooth)

Glaze: Rutile or cone 10 glaze

Method/Firing: Coil built/Cone 10 Reduction

Had I known how dark the rutile would turn out, I might have just glazed this pot white.

I was expecting a creamy oatmeal color with a subtle mottling of pink, lavender and light blue--not the dark purple I see above. From Ceramics Monthly:

Rutile is that unbelievably beautiful glaze additive that produces colors ranging from light and dark blue, to tan, gold, yellow, and even purple. It also produces a range of crystal formations. It seems to behave however it chooses, depending on the glaze base and the firing conditions. After a number of inconsistent glaze batches, old ceramic hands learn to test their new batches of rutile before committing to a full 5-gallon bucket of glaze. Furthermore, it is not uncommon to hear of studio ceramic artists purchasing multiple 50-pound bags of rutile such that their glaze will be consistent for at least a few years. These phenomena all come down to one thing with rutile: inconsistency. Rutile is a mined colorant, and as such, its makeup depends on the mine source. As mines are exhausted or businesses open and close, rutile sources change—often too frequently. The problem here is that rutile isn’t just a metal oxide or carbonate; it is a blend of three or four of them. While it is sold as light or dark rutile, the complexity and chemistry of the colorant is far more convoluted than its sale description would suggest, as seen in various natural rutile sources (1).

I had loved this pot in its greenware and bisque form. I suppose I'll make it again. 

A couple people have said they love the pot, and the vase is growing on me. It does coordinate with the plant pots I have.

cook: green chile pork pepper jack hand pies

I liked my Hatch Chile Granny Smith Cheddar hand pies, but I wanted my pies even more savory. And so added a can of Hatch chilies, drained, to a mixture of sauteed ground pork, onion, garlic, adobo sauce, cumin, oregano, jalapeno, and cilantro. I then stuffed the meat and herbs and spices with slices of pepper jack into pie crust, which I brushed with an egg wash and baked for 20 minutes in a 400 degree oven. 

I loved them, and so did my neighbors Cecilia and Nancy. I aim to make them again but with carnitas and chipotle peppers and spiced pear butter.

clay: urn vase

Clay Body: Laguna's Bmix 10 (Smooth)

Glaze: Marshmallow or studio white matte cone 10 glaze

Method/Firing: Coil built/Cone 10 Reduction

The vase is not wobbly! Despite it's narrow base. I'm bringing it home today ready for Patrick's floral arrangements. Summer dahlias to come.

cook: rainbow chard

These days I eat more for nourishment than to tantalize my palate. See my Sunday breakfast and Monday lunch.

 

And always always always a vegetable side like the rainbow chard that Patrick harvests from our garden. I prepare it simply. I chop the stems, leafy tops, and a few cloves of garlic and cook all separately in stages. Sauté the stems first in a little olive oil.

 

The green vegetable doesn't fit into the cast iron all at once. Gradually I add the leaves, let it cook down and then add the rest with just a little bit of broth.

 

Try not to cook the vegetable so much so that all the color is leached out. When there's a bumper crop of Swiss chard, I cook it like pictured above as a vegetable side for a steak or salmon dinner or add it to soup or as a layer in lasagna.

cloth: long arm basting

A quilting shop where I learned to quilt and use the long arm machine is closing. And so I called in sick to work to rent the long arm and baste a work in progress that had been in my closet for over a decade. I took 3 hours instead of 6 for stitching because I just stitched in the ditch and basted horizontally. It's sandwiched enough for me to both stitch by hand and on my domestic more detailed texturing.

 

I thought this would be my last time using this Handi Quilter Amara as Katrina told me that someone had already purchased it.

To my surprise and delight, I've discovered that the person who bought the long arm is the owner of Coastside Quilt Studio in Pacifica. I can get re-certified (and this time really remember which rollers on which to pin the three layers)and then use the remaining time to quilt another large quilt. Or maybe even bring back my "aquarius" quilt and finish sandwiching. I noticed these vintage 1970s portable Singers on the shelf in the room where I was long arming. I like its grooviness, but not enough to buy it....

....because I need another sewing machine like I need another ear piercing. And afterward, I wandered around and admired these quilts which a class was teaching.

And I really liked this quilt for sale (everything in the store is for sale at best offer).

But as a quilter, I can't justify buying a quilt when I have got a huge stash of fabric to use up.